Filmrecensies van Hope Madden

A trimmer runtime might have helped the film leave more of a mark. Instead, Wrong Turn is a decent if unremarkable backwoods thriller. Recensie

It’s a solid if flawed poem, an ode to the apex predator. Recensie

Choir Girl asks ugly questions and gets ugly as it looks for answers. At times, the story feels dependent on too many contrivances. Recensie

McDormand is perhaps the only perennial Oscar contender who could fit so seamlessly in this tapestry. Without an ounce of vanity or artifice, her performance allows this film to be one of resilience and promise. Given that Normadland is, in fact, the story of a penniless Sixtysomething widow who lives in a van, that is in itself a minor miracle. But that’s the film—a minor miracle. Recensie

Watching Shook, you’ll find solid filmmaking followed by two acts of uninspired, sometimes idiotic, sometimes enjoyable horror. Recensie

The World to Come measures suffering—particularly that done quietly and expectedly by women—against what pleasures can be stolen in this world. Recensie

The film never feels like a biopic. The rendering is far more crime thriller, and had this been a simple fictional account of a mole in a political organization, King’s film would have been riveting. Performances alone would have elevated the genre beats. Recensie

Instead, Guigui treats every scene as if no other scene has taken place. It doesn’t help that all of this tension non-building is in service of Knox’s character arc. Recensie

Her film treads the earth between mental illness and religious fervor, but its sights are on the horror of the broken hearted and lonesome. Recensie

Minari offers a close look—optimistic, but not sentimental—at the American Dream. If you feel like that’s been done to death, that just means you haven’t seen this movie yet. Recensie

Graham’s film possesses an artistry that can’t be denied, and it succeeds more than it fails. Recensie

Nothing ties together, and by the final scene’s reveal you feel like you’re watching the cliffhanger for an episodic series that you probably won’t commit to. Recensie

It’s a laudable goal. The problem may just be that Mary Shelley said it so much better. Recensie

But Ascher digs much deeper, drawing images of a culture and personality type compelled by these ideas, and the hard potential consequences of a Matrix in the hands of someone less noble than Neo. Recensie

It’s hard to call The Reckoning a wasted opportunity because, aside from some solid framing and cinematography, there’s nothing here to even exploit. It’s a superficial ripoff of a worn out genre, built entirely around a laughable performance. Recensie

It’s a gorgeous effort, poetic and somber and dreamlike. But it lacks a central voice, and without that, any real connection with the audience. Recensie

T doesn’t help that the color, period and low boil bring to mind two wildly superior Fincher efforts—Seven and, even more clearly, Zodiac. And however competently made (and it is) or impressively cast (obviously), The Little Things just can’t distinguish itself from the pack. Recensie

It’s a lopsidedness The Dig never quite recovers from. Of course, had Mulligan and Fiennes not shone quite so brightly, it may not have been a problem at all. Recensie

The Queen of Black Magic makes more narrative sense, but somehow that seems to flatten it out a little. It feels less magically horrific and unsettling as the films Anwar directs. But strong, dimensional performances elevate every scene. Recensie

Bahrani’s masterful direction makes the most of background to establish and reestablish Balram’s position and his thinking. And as utterly contemptuous as this film is concerning the wealthy and powerful, director and lead make you feel the depth and history involved in a servant’s culture of devotion. Recensie

Talent be damned, Guez can’t find an original thought to explore. Everything about Brothers by Blood feels absolutely garden variety, although competently made. Recensie

Oppenheim’s framing and David Bolen’s cinematography create an unforgettable visual experience, preparing you for a Wes Anderson meets John Waters documentary about rich old people synchronized swimming. Recensie

Debay’s transformation is also marked very obviously and very visually, underscoring the cartoonish nature of this particular enactment. She does a wonderful job of evolving from something in Act 1 that feels garden variety for horror into something surprising and fierce. Recensie

Cuffley doesn’t break a lot of new ground, but his is an appealing riff on a familiar tune. Recensie