Movie reviews of George Wolf

So much more than a story about how a classic story was told, it’s a sweeping ode to the power of courageous art, no matter how flawed the artist. Review

Black Bear‘s got plenty to say – about creativity, ego, insecurity, sexual politics and more – but its resonance comes from not demanding you take a side. Review

Yeah, a little sharper focus wouldn’t hurt, but A New Age delivers the good time you forgot to remember to wonder where it’s been. Review

There’s pain here, for sure, but there’s also humor and a comforting sense of hope. Uncle Frank may not be the first film to remind us how heavy family baggage can feel, but this has the cast and commitment to make you glad you unpacked for a spell. Review

It’s a tone deaf, crass and almost completely humorless exercise in objectifying women and indulging the selfishness of entitled d-bags. Review

Leap of Faith might be a one man show, but when the show is The Exorcist and the man is William Friedkin, it feels like enough. Review

And with more lockdowns looming this Holiday season, it’s 44-minutes of smiles tailor made for repeated helpings. Review

Gibson delivers with a gritty, committed performance that’s aided tremendously by the glorious Marianne Jean-Baptiste as Ruth Cringle. Review

The director’s camerawork is occasionally fluid and effective, but most of the set pieces are more noteworthy for the atmospheric cinematography and sharp sound design that manage to punctuate the dark, empty rooms. Review

Green has never been better, and Winocour continues to display understated insight as a filmmaker. Like that walk among the stars that Sarah has long dreamed about, Proxima is quiet, but often emotionally dazzling. Review

The storytelling is competent, the performances fine. Review

Adapting Larry Watson’s novel, Bezucha carves out the road to vengeance and redemption like a less nuanced Cormac McCarthy. This isn’t poetry, but that doesn’t mean it’s not primal and satisfying. Review

There are some valid ideas at work here. They’re not terribly urgent or original, but Come Play isn’t pretending they are. It’s a film with little interest in overthinking, for horror fans not interested in films that do. Review

Wolfboy is the rare teen drama that speaks without condescension, and entertains without calculation. Review

Come in looking for a tidy little slasher, and you’re going to be disappointed. But if you’re down for a dark and moody rumination on grief, metaphysics and itchy brains, you could conjure up worse than The Empty Man. Review

Yes, it’s still shockingly brazen and often laugh out loud funny, but the thrill of discovery is naturally gone. Review

It’s all perfectly grand and respectable, but never memorable. Review

And though Trump is certainly an understood subject, the finger-pointing is never belabored. Review

Time is a stunning journey, searingly intimate with a sobering undercurrent of commonality. You wear this film like a blanket of feeling. Don’t miss the chance to wrap it around you. Review

But what you’ll remember about Evil Eye has little to do with the mysterious occurrences surrounding this mother and daughter. It’s the humanity flowing between them that sticks. Review

The ensemble of evacuees/possible victims has the depth and logic to only reinforce the point of that horror spoof Geico ad. And after about 90 minutes, the film’s eureka moment makes you wonder about the Drive-In pleasure Tar might have been if it hadn’t waited so long to tap a self-aware vein. Review

At its core, it’s a super deluxe re-write of Thunder Road with werewolves. I call that a bloody good time. Review

It’s not a new idea, and Black Box doesn’t blaze any new trails revisiting it. But it is committed to the viability of the journey, and finds its greatest success in engagement rather than surprise. Review

By treating Jane’s joy and heartbreak less like a clinical study and more as parts of a greater familial whole, Eternal Beauty finds a way to make those orders seem doable. Review