These are all the movies and series that George has reviewed. Read more at: Maddwolf.
Number of movie reviews: 745 / 745
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While Mangold wisely chose to limit his film’s scope so we could become invested in the lives and the details of a particular mission, Moresco is just reciting all these things that happened in a famous man’s life and hoping we might care as much as he does. Review
Really, I can’t imagine what was going through Dorff’s head during some of his takes. He may as well be teaching a class for mannequins who just came to life that very day. But they’re so excited to be acting! Painful. Review
It’s been nearly 20 years since Ferrell’s done Christmas (some of us have been counting), and it’s easy to see why he thought Spirited was the big ticket item he couldn’t pass up. Yes, the two-hour run time would benefit from a slight tree trimming, but this is a film some households will make required viewing for plenty of seasons to come. Review
The scale is smaller but the film breathes easier, as if Benson and Moorhead felt free to scratch the creative itches that make them unique. Something in the Dirt digs into all of them, digging up something ready to be filed under low-budget nerdy sci-fi horror satire. Review
It is a truly intoxicating atmosphere that rarely lets up, and a perfect compliment to the yearning that erodes boundaries between detective and suspect. Decision to Leave attack those barriers with tantalizing precision, leaving a breathless trail of crime and passion that is guaranteed to linger. Review
Denis is in no rush here, and the narrative can meander through some awkward juggling of tones. But the journey of these characters and their moral posturing is always engaging, and Stars at Noon serves a hypnotic cocktail of intrigue mixed with lust, feminine power and cutthroat colonialism. Review
Amsterdam will give you an interesting history lesson. And if you laugh at the way your drunk uncle fills a straightforward story with rambling anecdotes after Thanksgiving dinner, then it will be an entertaining one, too. Review
My Best Friend’s Exorcism is the teenage sex comedy religious satire devil flick we didn’t expect. No need to aim higher when it pretty much nails the bullseye. Review
The film’s sense of awakening and romance is propelled by gorgeous photography and sly use of visual imagery. Review
Moonage Daydream is like no music biography that you’ve ever seen. It’s a risky, daring and defiant experience, which is exactly the kind of film David Bowie deserves. Review
Years from now, you won’t be quoting any lines from Confess, Fletch. But the hour and a half you spend with this breezy whodunit isn’t a waste, and might leave you feeling like you just met the real I.M. Fletcher. Review
God’s Country is full of the persistent ugliness that plagues ours. Yet none of its issues are raised with a heavy hand. Measured and often visual storytelling is at work here, carried on the shoulders of a sensational lead performance. Review
Robert Zemeckis and Chris Weitz seem too eager to justify their project via modern sensibilities. And in turn, they end up short-changing elements that made Disney’s original such an enduring favorite. Review
Yes, the satirical fruit can hang pretty low, and de Aranoa’s subplot juggling skills start to waver as his narrative becomes more madcap. But right to the bitter end, Bardem can be trusted most when Blanco deserves it least, making sure The Good Boss is a satisfying day at the office. Review
More concerned with correcting the record than breaking new ground, Kaepernick & America seems graceful and unassuming when placed against the vitriol spurred by the taking of a knee. But the film reminds us that protest is “the work of hope,” and ultimately looks toward a future of redemption for Kaepernick, and healing for a nation. Review
So don’t come to McEnroe looking for a breakthrough psychoanalysis, you cannot be serious! Come to McEnroe to remember why we care about him in the first place. Review
This invite promises only bargain-priced goth, watered-down frights and surface level commentary on classism and white privilege. The pivot from the Get Out setup to the Ready of Not revenge tour is much too long in coming, with a payoff that just isn’t worth the wait. Review
Kline develops memorably offbeat characters you don’t let go of easily. Zolghadri brings a wonderful zest to Robert’s coming-of-age, showcasing a sweetly resonant mix of resolve, confidence and vulnerability. Review
There’s a dash of all that in Spin Me Round‘s entree. It’s light but filling, with a pleasing aftertaste. Just don’t spend too much time wondering what’s going on in the kitchen, and dig in. Review
You may catch on early to that destination, but the real test of how Glorious will hit you is how much love you have for Lovecraft. Even if it’s minimal, this is a bathroom break full of squalid, forgettable fun. Review
Looking back, most everyone involved now admits that they should have looked closer at Brandon Lee. Entertaining a yarn as it may be, My Old School might have been more compelling by doing the same. Review
Those well-known monster calls fuel the tension, the action is thrilling, and the blood is splattered with pride, complete with unmistakable callbacks to the original 1987 film through both movement and dialog. Review
At times Geller and Goldfine lean back on biography just when the musical detective work is cooking, but A Journey, A Song ultimately connects the two with a resonant thread. Review
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