These are all the movies and series that George has reviewed. Read more at: Maddwolf.
Number of movie reviews: 745 / 745
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It’s all a fine reminder of Kaufman’s unique legacy, but the film makes its best mark by deconstructing his motivations with as clear of a lens as we’re likely to get. Review
Buried under all this blood and camp, the film displays a genuine love of time, place and genre that you cannot ignore. These Freaky Tales are truly off the leash, usually in the best possible way. Review
Death of a Unicorn just won’t commit to the bit as giddily as something like Ready or Not, and a true lasting impression remains an elusive beast. Review
Lund’s writing is warm and witty, with a sense of pace that is unhurried, perfectly reflecting the one American team sport without a time clock. Review
Tarpon‘s intoxicating spell is one you’ll wish lasted a bit longer. But after all these years of waiting, even a little of this magic is enough. Review
The CGI animals I get but man these dwarfs become such an albatross it’s even more impressive that Snow White manages to charm despite them, and the few too many opening minutes spent on exposition. Review
Skarsgård tries his best to give Eddie some needed depth, and Hopkins seems delighted to get cartoonishly villainous. But Locked can never develop the psychological engagement of 2013’s auto mystery Locke or the clever thrills of Trunk: Locked In from just two years ago. Review
Black Bag is an adult-centric drama that offers bona fide movie stars, glamour and romance, challenges, surprises and humor. And it gets it all done in 90 minutes. Review
Jeanine is clearly working through some things, and Seyfried makes it worthwhile to labor along with her. Instead of overwrought hysterics, Seyfried brings a slowly unraveling intensity to Jeanine, allowing the unease that inspired Egoyan’s Seven Veils to play out as a fascinating peek behind the creative curtain. Review
It’s dry, bloody and violent, and is sure to be polarizing. If that’s an approach that speaks to you, Riff Raff can be downright hilarious. But chances are you may find this family crime caper as curious as it is funny. Review
When you have someone as talented as Ridley cast as the everywoman trying to save the day, the idea still works. She seems especially energized at the chance to get physical, and manages to pull the unmemorable Cleaner up to satisfying new heights. Review
Armand presents a challenging, but ultimately haunting take on the lingering dangers of convincing ourselves that everything is fine. Review
With a solid sense of setting, cast and framing, Bring Them Down heralds Andrews as a filmmaker of great potential. Once his actors get a little more character to chew on, he may start building his own legacy. Review
Often filming in secret, Rasoulof assembles the escalation of events so carefully, and the performances are so achingly real, that nearly every frame of the film’s two hour and forty-five minutes seems necessary. Review
With Will & Reese at the top of this engaging guest list, You’re Cordially Invited throws a home steaming party that’s slightly more fun than forgettable. Review
But there is heart here, and the real Nathan’s closing credits plea to “pay it forward” is sweetly schmalzy. Even better, the sincere attempts at storytelling are just competent enough to reach beyond the choir. Review
Screenwriters Chad Law and Josh Ridgeway provide plenty of Scooby-Doo style exposition that anyone not named Richard can’t come close to elevating. Review
The Brutalist is nothing if not memorable. Though the sheer accomplishment may stand a bit taller than the final statement, it cements Corbet as a voice that cannot be ignored. Review
There is a poetic nature to Kapadia’s storytelling. With only the most gentle of nudges, Kapadia speaks for the scores of Indian women who come to Mumbai for the promise of a better life in the city, only to be disillusioned. Review
Coppola’s camera comes in close, and Anderson does not flinch, letting every line on her face tell a story. Review
Like any good sports movie, the film gives us plenty to cheer for. But that’s the easy part. It’s a bit more difficult to paint heart, humanity, and the drive to never settle with genuine feeling. Review
A Complete Unknown is an intoxicating, engrossing mix, and one of the best films of the year. Review
The Six Triple Eight tells a lesser-known story of unsung heroes who deserve the acclaim, but the best intentions of writer/director Tyler Perry are often hamstrung by his broad brush and heavy-handed approach to telling it. Review
A tightly-wound account of one anxious search for the thrill of victory, September 5 is one of the year’s unforgettable thrillers. Review
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