These are all the movies and series that Don has reviewed. Read more at: Every Movie Has a Lesson.
Number of movie reviews: 707 / 707
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The end result of War Game is a fascinating experience that jarringly resusitates the palpable unease felt back in 2021. Review
The exchanges of edgy profanity may count as some of the best entertainment present, but at some point we’re saying that phrase too right back at the movie itself. Review
The gravity of Peak Season is strong enough in its genuineness and quaintness to still find the right Bridges of Madison County-esque climactic quandary. Review
In presenting these heavenly heights of brotherhood and commitment with the truest possible representatives, Sing Sing is instantly one of the best prison films in movie history. Review
Deadpool & Wolverine operates with a reckless abandon that, through all the bottomless irreverent humor and pizazz on screen, smears its blood and guts from a surprising and corrective place of love. Review
Before Dawn wants to be Australia’s answer to Sam Mendes’s 1917, but the suspense and emotionality are decidedly lower. Still, the film represents its origins honorably and with deeply commendable intent. That will also count positively. Review
Taken together, the swagger and bluster of Twisters returns us back to that sense of stamina and vigor for enduring all things windy. The exhilaration is there if you can take it. Review
Both KiKi Layne and Thomas Doherty have shown their charismatic appeal in several features and different genres before Dandelion, making their magnetic pull together here easy on the eyes. Review
With that domesticated and relatable-beyond-borders quality, Cottontail is creating a greater journey, one venturing beyond any map charting the route to Akiko’s destined lakeside. Review
When knowingly not trying to be serious up front, a caricature of a character like Rex can get away with much more, and that looseness becomes much more palatable and, frankly, more entertaining. Instead, you’ve got a reductive movie striving for inspiration it can’t and shouldn’t earn. Review
The narrative and its musical score deftly hop back and forth over a line between pain and happiness with its revealed secrets and choice of tones. Review
As long as Murphy could resummon that fluent tempo in Beverly Hills Cop: Axel F– that crass, disarming, and profanity-soaked gift of gab– and keep it with some stamina for another lavish action comedy, all that was necessary would be fulfilled. Well, queue the popular wrestling crowd chant, because he’s still got it… and then some! Review
Incomplete as it is, the attention Horizon: An American Saga: Chapter 1’s paid to personal recovery mirroring the pioneering momentum of new establishment encapsulates the wide-eyed draw of this film genre. Review
While this film counts as Joey King positively stepping out of teen-centered roles, Zara may be the weakest link of A Family Affair. Review
Beyond the technical side, the true, powerful appeal of Daddio is the mano-y-mano acting showcase between Dakota Johnson and Sean Penn, and it does not disappoint. Review
This movie wasn’t ever going to be Mission: Impossible with its action, Hell or High Water with its pathos, or Ocean’s 11 with its dollar amounts, nor did it need to be anything on that level. Review
The Bikeriders is a penetrating, robust, and nostalgic return for Jeff Nichols... Review
As oxymoronic as this reads, Thelma is a mozzying thriller that never falls asleep at the wheel or on its cushy davenport. Review
Even in the name of the blackest pitch black dark comedies, Kinds of Kindness tests tolerance by trying to push three wayward and wonky exertions down your throat. At that volume, constitutions check out and all the ambition fizzles out. Review
Coming from such collaborative efforts, Ezra was always going to stay light by taking its mini-adventure route. In doing so, the movie skirts and glosses slightly over the ponderous reality and ugly truths of addressing hardships and traumas. Review
Sure, it may have taken a bit to get there, but talented writer-director Vincent Grashaw demonstrated the shrewd patience to make those culminating moments happen on their own time and without some grand public showdown or audience. Review
Guy Friends is rife with disarming humor punctuated by peppy and agile dialogue. First-time actresses Kavita Jariwala and Katie Muldowney exhibit effervescent appeal and clever chemistry with their differing and merging wavelengths of personality. Review
This baked-in layer of brains amid the brawn in Hit Man is credited to Linklater and Powell working together to punch up a screenplay together allowing fun to frolic next to intrigue. Review
Straight-line speed such as this can be impressive, but it’s the perilous swerves that kick up the real dust, multiply the risks, and amplify the bigger suspense. The Joy-to-Theron arc has a tangible level of myth and mystery and a high value of importance for a very worthwhile character, albeit it is limited here by having a telegraphed journey towards an inevitable destination. Review
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