These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1304 / 1304
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Unfortunately, it’s fairly similar to the first film, which exhausted virtually all of Elvira’s one-note schtick. Review
Underneath the fantasy misadventures, replete with puzzles and curses and booby traps, is a powerful tale of catching up on lost time, brotherly bonding and conflicts, believing in oneself, and facing fears. Review
But for every thought-provoking argument presented, the two Bonners engage in some laughable courtroom theatrics to soften the severity of the masculine-versus-feminine debate. Review
It’s difficult to imagine Woman of the Year being all that satisfying when it premiered, let alone as when, throughout the years, it fails to stand the test of time, both with progressiveness and entertainment value. Review
Even with intermittent sequences of action or bloodshed, the meandering plot makes the 83-minute runtime feel like more than two hours. Review
The speculative qualities of this epic sci-fi drama are worth seeing, particularly due to the early year in which it was theatrically adapted. Review
Far less amusing are the incredibly cheap costumes, the tragically unconvincing fight choreography and editing, the appalling acting, the pitiful special effects, and the cheap plastic props. Review
The story still works, with the bigger revelations and solutions packing a punch – especially with the ordinariness of the personas and their plight – though it’s a shame that it’s not original. Review
At least the acting is adequate, propelling the film just slightly above the likes of its embarrassingly low-budget brethren... Review
It’s as if multiple films are intermittently forced together without adequate time for sensible fluidity. Review
There’s action, suspense, death, destruction, globe-hopping, wig-donning, unlimited funds, and brief dashes of humor. Review
A mystery also unravels during the gangland scuffles, providing comedy and violence and suspense; yet it’s so overwrought that it practically seems routine. Review
A triumphant exercise in indissoluble friendships and the indomitable human spirit. Review
The characters are so badly designed that they’re both meaningless and unbelievable; whether they live or die or succeed or fail holds no significance. Review
The comedy can’t surface or find harmony when he’s onscreen. Review
Cape Fear is a masterpiece of protracted tension and ceaseless aggravation, culminating at the aptly titled and electrifyingly atmospheric Cape Fear River... Review
Still, by the conclusion, the combination of down-to-earth lovers, foolish ones, embarrassing ones, disheartening ones, and triumphant ones (and ones that could only exist in a movie) creates an endearing collection of touching sketches that are frequently sentimental yet thoroughly grand. Review
The pacing is brisk and a number of scenes of spectacular horror help to offset the problems. Review
Yet once again, regardless of the importance of the picture, the execution prevents it from being a project that will reach an appropriately wide audience. Review
There’s nothing even remotely pleasant or absorbing about this tumultuous yarn, and certainly nothing that Sandler’s uncommon persona can save; it’s an overlong, uninteresting, badly arranged, extremely disagreeable downfall that only gets worse as it goes along. Review
A nearly three-hour wait for a single moment of fantastic frenzy amounts to minimal entertainment. Review
For the most part, a gentle sweetness permeates the film, but it’s also such an average, uneventful, small, intimately-designed, down-to-earth, slice-of-life drama that very little of it is memorable. And the parting shots are a dreadful misstep. Review
It’s playful, lighthearted, and humorous, though it’s also peppered with heavier life lessons about generosity and tolerance and friendship. Review
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