Movie reviews of George Wolf

Both the animated and live action Spider-Man films have shown us how delightful the multi-verse can be. The Flash never gets there, but it shows us enough of Barry Allen to wonder what might be possible if the DCEU can trust him enough to carry his own weight. Review

As the title would suggest, don’t come to Daliland for a psychological profile of a legend. Come for a peek inside his carefully curated shelter from the real world, and for the e-ticket ride performance from Kingsley. Review

Veterans care, survivor’s guilt and life after trauma are worthy issues, and Mending the Line wants badly to respect those involved and provide enlightenment for the conversation. The respect is never in doubt, but the conversation ends up treading water. Review

Chris Robinson keeps things on a nice even keel, pulling solid performances from all with a good balance of off-court camaraderie and hoop excitement. Review

The cast is strong and willing, but the darkened playground of The Boogeyman is only for the scaredy-est of cats. Review

You won’t find the satirical humor that both Novak and Shephard wielded so effectively, but Harder’s approach is no less effective. With sharp dialogue, skillful plotting and simmering dread, Influencer is plenty worthy of that Like button. Review

There are timely laughs, a solid ensemble, and some perfectly acceptable hooping. But the lack of investment in character makes it hard to really care about who wins the tourney. Review

Pushkin’s centuries-old themes of noble savages and the tragedy of life are too often given a heavy hand, needing a rescue by the visual poetry on display. Review

BlackBerry is a fast, funny and often thrilling ride, one that ends up worthy of both time spent and time capsule. Review

Fox has no use for pity. And he makes sure that your time spent with A Michael J. Fox Movie will only be inspiring and uplifting. Review

American audiences may find The Innocent to be more of an acquired taste than those in Garrel’s native France, but anyone who dives in shouldn’t bail too quickly. Give this splendid cast time to pull all the threads together, and they’ll build a stage big enough for comedy, drama, romance and heart. Review

George’s rise to gold medals, heavyweight belts and best-selling grills has indeed been extraordinary. It deserves better than the ordinary treatment that comes from Big George Foreman. Review

Sadiq’s script (co-written with Maggie Briggs) often speaks loudly through the silence of things left unsaid. Haider isn’t the only one here keeping secrets, and the film begins to ache with the longing for lives that seem hopelessly out of reach. Review

Can a documentary actually be the tipping point for a new conventional wisdom, and a catalyst for permanent change? Ask Sea World. Review

Collette is likable as always, and Belucci is smoldering as always, but the script they’re given can’t rise above the TV backgrounds of the writing team. Convoluted, nonsensical and never more than mildly amusing, Mafia Mamma is about as lively as Luca Brasi. Review

But Swab frames the dusty landscapes and empty streets with an appropriately desperate grit, the ensemble digs into the character eccentricities, and One Day as a Lion pulls you along a light but oddly compelling tale of kooky crime and possible punishment. Review

Air finds a crowd-pleasing new groove inside a classic album. It’s the thrilling sports movie we didn’t know we needed, and a part of the Jordan legacy that instantly feels indispensable. Review

The fictionalized history of Tetris is worth revisiting, meaning that after a slew of terrible video game adaptations, the genre can bask in a rare double score. Review

Freddie begins to embody the typhoon that pushed her toward this journey of self, and Return to Seoul becomes an always defiant, sometimes bristling march to emotional release. And when that release comes, it is a rich and moving reward for a filmmaker, a performer, and all who choose to follow. Review

Kubrick by Kubrick is the rare chance to get inside the mind of a guarded legend, and even when it leaves you wanting more, that somehow feels like an ending he had planned all along. Review

The film is more compelling than thrilling, striking a tone that fits the material. It’s not the splashy headline that’s important, it’s what kind of substance is delivered underneath. Boston Strangler delivers a relevant history lesson, and another salute to the ones that keep asking questions. Review

The Magician’s Elephant pulls plenty from its crowded hat, but has trouble conjuring anything that is truly magical. Review

In adapting Claire Keegan’s novella, Bairéad’s storytelling is confidently restrained and overflowing with compassion, as it builds to one of the most quietly devastating final shots in years. The Quiet Girl is an intimate, beautifully realized take on finding what we need to heal our pain – and knowing when to rise up and meet it. Review

The only draw is how gamely Shannon and Hudson navigate the paper-thin hoax shenanigans of A Little White Lie. They do it well. And after the recent successes of equally forgettable fluff such as Ticket to Paradise and 80 for Brady, that may be more than enough. Review