Movie reviews of Jeremy Lebens

Bad Boys for Life is the most potent Bad Boys film yet, with directors Adil & Bilall trading Michael Bay's over-stylized action and bloated runtime for a film that's leaner and more focused on its characters and the story's progression. Will Smith and Martin Lawrence inject new life into these classic characters.

William Eubank's Underwater is a lean horror film, paying homage to classics, while also taking advantage of its unique setting and excellent cast. Kristen Stewart dominates the screen, while the creature designs and overall special effects make the film look and feel distinguished. This movie never lets up, jumping into action within mere minutes and keeping that momentum until the very end.

1917 is visually engaging experience, capturing the claustrophobic mess of trench warfare through the lens of a true auteur. Its one-shot approach definitely adds to the intensity and makes for a truly unique WWI experience. Unfortunately, the film's pacing holds the film back from becoming great, making the lacking script stick out like a sore thumb.

Nicolas Pesce's iteration of The Grudge is a dark and moody slow-burn thriller that's occasionally disturbing, but mostly just a retread of what came before it. Actress Andrea Riseborough gives a compelling performance as the film's lead, but most of the film feels like something better is trying to get out, but that never quite happens.

Star Wars: The Rise of Skywalker is a fitting conclusion to the epic Skywalker Saga. It closes one rather large chapter in the storytelling world of Star Wars by bringing back old characters, revisiting past themes and giving a fitting sendoff to those that we've grown to love over the years. It also tries desperately to course-correct the actions brought into play in The Last Jedi, which makes for an over-stuffed blockbuster th...

Uncut Gems is a turbulent masterpiece, directed with agility and bravado by The Safdie Brothers and acted with an Oscar-worthy by Adam Sandler. This 100-mile-a-minute look at the colorful life of a seedy jeweler just might be one of this year's best films when it's all said and done.

Jumanji: The Next Level offers up some next level action and adventure, in a familiar wrapper that again takes advantage of the chemistry between its leads, but feels repetitive and safe, despite its attempt at mixing things up.

Knives Out sports some memorable performances that work as a collective, but the film fails to capture the audiences attention throughout its lengthy running time that is far from the twists and turns promised in the trailers. It's the first whodunit that doesn't really seem to care about who did it.

21 Bridges is a predictable, yet entertaining race against the cop flick, with Chadwick Boseman playing a more than serviceable lead, full of unstoppable rage and a moral compass. Director Brian Kirk keeps things pretty close to the chest, but the end result is a decent way to kill two hours.

Frozen II fails to recapture the magic of the original film, adding colorful set pieces and even more family-friendly songs to attract the kiddos, yet forgets that a driving plot with engaging characters is what really makes for a memorable movie. I applaud Disney Animation for making another gorgeous-looking film, but shake my head at the obvious cash-grab mentality that went into producing this sure-fire box office juggernaut.

Ford v Ferrari is an enthralling and captivating film, capturing the beating spirit of the American dream with its complex characters, played with unrelenting motivation by Matt Damon and Christian Bale. James Mangold's direction elevates the true-life story to heightened levels, which makes for one of the year's most exhilarating films.

Last Christmas is charming and weird, with director Paul Feig embracing the cheesy Hallmark feel, yet still managing to get a warm performance out of Emilia Clarke and an ending that gives the film a surprising boost.

Mike Flanagan's Doctor Sleep is worthy sequel to Stanley Kubrick's classic The Shining, both based on the novels written by Stephen King. Doctor Sleep's true terror rests with its depiction of alcoholism and addiction, wrapped in a very spooky shell, full of creepy imagery and nail-biting suspense, in addition to well-acted and purposed drama.

Terminator: Dark Fate takes one step forward and two steps back. It's better than the last two entries by a wide margin, but still struggles branching out from being just another carbon copy of Terminator 2: Judgment Day. Director Tim Miller brings the action goods and the return of Sarah Connor, but struggles rising above the messy writing.

Honey Boy is a tragic self-reflection from writer Shia LaBeouf that's constantly scratching at truth and wholesome sincerity in ways that will surely move you. Honey Boy is one of the most beautifully haunting films of 2019.

Zombieland: Double Tap recaptures that same gore-filled energy and excitement from Ruben Fleischer's first film, thanks to its returning cast and crew. Double Tap doubles down on the action, the violence and comedy to make for that rare sequel that actually warrants existing.

Ang Lee's Gemini Man gives us a promising look into the future of the tech behind how we create and consume movies, but not much of anything else. The film itself is a middle-of-the-road Will Smith action film that feels far more innovative from a technical standpoint than it does as an actual film. See it in the highest resolution and frames-per-second as possible or don't bother seeing it at all.

Tyler Nilson and Mike Schwartz's The Peanut Butter Falcon is cinema in its purist form. Shia LaBeouf and Zack Gottsagen lead a cinematic journey that's full of heart and charm, reminding us just why it is that we go to the movies -- to feel, to be moved and to believe in anything and everything.

Todd Phillips' Joker is a cold and dark reflection on one of the most iconic broken characters of all-time, played with unhinged menace by Joaquin Phoenix. Phillips and Scott Silver's script occasionally dips its toes into the deep end, but mostly sticks to surface-level anarchy, creating for an unstable masterpiece, that's beautifully-shot and hauntingly-scored.

Ad Astra is a visceral experience and an unrelenting journey into darkness and the unknown. Brad Pitt gives a cold, but enduring performance, while Gray's direction utilizes all talents involved to capture a truly unique and engaging sci-fi experience.

Rob Zombie's 3 from Hell is a violent trip down memory road, rekindling the grizzly and gory moments of The Devil's Rejects and House of 1,000 Corpses, only with 1/4th the budget in look and feel. 3 from Hell meanders its talent on a story that's not really about much of anything.

IT: Chapter Two is full of terrifying creature designs and top tier performances. Director Andy Muschietti has made the largest and weirdest horror film to date that proves the genre's ability to capitalize on a larger budget and cast.

Jacob Estes' Don't Let Go is a time-traveling whodunit that goes one twist too far. Still, the film exceeds because of Estes' ability to blend the high concept with a cast of solid performers, including stars David Oyelowo and Storm Reid.

Ready or Not cleverly balances horror and comedy in a way that makes for one of the freshest films of the summer. Directors Matt Bettinelli-Olpin and Tyler Gillett have crafted a film that's a lot of gory fun, while actress Samara Weaving proves herself a Goddess, commanding the screen and making for one of the most memorable on-screen characters in modern horror history.