Movie reviews of The Massie Twins

A few funny moments and a handful of potentially quotable one-liners make The Emperor’s New Groove engaging for kids, but it undoubtedly lacks the maturity and potency of Disney’s more magical Renaissance era. Review

As it approaches the climax, it opts for a few ridiculous developments that aim to exploit standard werewolf movie tropes rather than the newness of what director Mike Nichols established at the start. In the end, though the performances are memorable, it’s the parts that don’t work that outdo the more effective ones. Review

It wastes not a minute, since the running time is barely over an hour, detailing the curse and concluding it in the only way possible for this monumental horror film that would pave the way for so many derivative productions after it... Review

The impressive casting and design tend to get lost in the meandering that comes with an excessive runtime; no matter how bizarrely amusing this odyssey into the mayhem of a whirlwind romance and its sticky complications gets, the lengthiness thwarts its success. Review

The end result is potent, largely thanks to the superb special makeup effects and to Moore’s acting. Plus, from a technical standpoint – including the cinematography – The Substance is phenomenal, generating a genre-bending piece boasting bold, indelible qualities. Review

The general slowness of the events provides more time to dwell on the plot and its personas, but it also stretches out what should have been a swifter telling. Review

A Real Pain isn’t concerned with telling a unique or engaging story; rather, it’s an in-depth character study, providing modest entertainment in both its examination of disparate personalities and with its wry commentary on how eccentric people can impact the conventional. Review

So much work has gone into the visuals; the animation, the environments, the textures, the colors, the lighting, and the musculature are each phenomenal. Review

It has a lot of heart, even with all of the sequences that don’t establish much innovation for children’s pictures. Review

In this unique depiction of the 1972 attack, almost all intelligence is second-hand. Review

Though quick and only cursory in its examinations, it’s remarkably profound; this short subject is practically an ode come to serene, visual life. Review

The stunts, which should have been a highlight, are so bogged down by bad graphics and senseless choreography that they fail to inspire suspense. Review

This newest episode is enjoyable in its family-friendly sense of cops and robbers and goofy misadventures, employing whimsical dialogue, creative machines, hysterical physical comedy, and a touching moment or two of friendship as it cements the good-natured notion that inventions aren’t inherently wicked... Review

It may utilize a few stalling tactics to stretch out an already quick runtime, but the procession of events is still largely engaging. Review

It’s a visual treat, but the storytelling could have benefitted tremendously from some tightening-up. Review

This picture’s entertainment value will depend largely on the audience’s knowledge of the source material – receiving such a comically morbid spoofing – even if modest amusement can be easily obtained from the performances. Review

It’s never quite as silly as Hocus Pocus, but its entertainment value, despite targeting a marginally different audience, is just as limited. Review

Not everyone behaves as if they’re acting in the same movie, at times transforming this absurd episode into a comedy. Review

This type of dark melodrama is most memorable for a handful of indelible, histrionic scenes, rather than as a whole. Review

The pacing is every so slightly off, despite the incredibly rich, engaging things unfolding; Fonda and Sutherland are a constant delight, even in extraneous minutes. Review

With Sam Peckinpah at the helm, the anticipated violence is excessively brutal, with blood exploding and splattering from wounds to an exaggerated degree. But by the end, it’s all entirely too uneventful. Review

T’s arguably a great set, but it’s not enough to make this feature-length production worthwhile. Review

At its best, it’s cagily circuitous; but at its worst, it’s downright laughable. Review

The music is superb, steadily escalating to more and more enthusiastic, thunderous performances until the booming finale, concluding at a decent stopping point, even if it’s a transparent cash-grab to split this production into two parts. Review